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After years of producing health radio programs for WBAI in New York City, I’m delighted to be producing and hosting HealthCetera in the Catskills on WIOX Radio in Roxbury, New York, from 2:00 to 2:55 EST every week. This local community radio station is located in the Northern Catskill Mountains and streams online at WIOXradio.org. Locally, it is locally available at 91.3 FM and at 107.5 FM on the Campus of SUNY (State University of New York) at Delhi. It’s also available on the Radio Garden app.

HealthCetera in the Catskills explores the impact of local, state and national health and social issues on the communities of the Catskills. It’s  a mix of policy, politics, programs that work, and the socioeconomic issues that affect the health of individuals, families and communities. The program aims to engage and empower people to make informed decisions about their own health and that of their families and communities.

Joining me in this venture are HealthCetera Correspondents, public health nurse and co-host Barbara Glickstein, school nurse Robin Cogan, health journalist Liz Seegert, and holistic nurse Eve Adler. You can find there bios here [please add link to the page with the bios].

I hope you’ll tune in and send your feedback at healthceteracatskills@gmail.com.

After years of producing health radio programs

The nascent Graphic Medicine Movement has found resonance with many people for many reasons. The combination of comics and health is having significant impact. For me, the most exciting thing about comics having a serious place in the discourse around illness, caregiving, disability, and body, is that comics are how I learn. I feel as if doors previously closed have been opened by these sequential combinations of image and text. Whether I am the one reading or making the comic to understand an experience, an illness, a challenging situation, an intellectual or scientific concept, comics plus whatever topic is at hand always makes the topic more approachable and even enjoyable. New pathways toward accessibility of information are being forged.
Two colleagues associated with the narrative medicine program at Columbia University and I are interested in exploring whether comics be helpful in a particularly challenging area of health care communication: talking about dying and death.

by MK Czerwiec

The first step in talking about dying and death is to de-stigmatize the lived experience of hospice and palliative care, to provide cultural reference points for these experiences. Comics have been ahead of the curve in this area. Believe it or not, several existing graphic memoirs share honest, difficult, but also often loving and beautiful, accounts of natural dying and death.  Examples include, but are not limited to:
And more work in this area is being created. Artist Sharon Rosenzweig is sharing daily meditative, spiral infused drawings on Facebook about her family’s experience during hospice care of her mother. The spirals are inspired by the teachings of comics legend Lynda Barry. You can hear Sharon discuss her process in this short talk.

by Sharon Rosenzweig

Cartoonist Tony Breed recently published a comic called That Night, This Must Be The Place that contains this beautiful page.

Tony Breed

 And Kevin Budnik recently shared this comic page on his Twitter feed.

Kevin Budnik

These projects, some published and some still ongoing, utilize the medium of comics to explore and share, to bear witness to family experiences of dying and death. These comics serve as a window into the stressors, rewards, challenges, and experiences of hospice and palliative care. Through the windows these comics provide, the detailed representations of experiences with dying and death are brought out of the darkness and into the light, providing examples of paths to take, options to consider, and, potentially, mistakes to avoid.
Data supports the need for conversations about values, goals, and plans for end-of-life, and also that they are not happening as much as needed. Studies have shown that approximately 80% of Americans would prefer to die at home, if possible. Despite this, 60% of Americans die in acute care hospitals, 20% in nursing homes and only 20% at home (source). In a 2012 survey commissioned by the California HealthCare Foundation, most of the 1,669 surveyed said that if they were seriously ill, they would want to speak with their doctor about end of life care. While a large majority of Californians (82%) say it is important to have end-of-life wishes in writing, only 23% say they have done so (source). In a 2009 study led by researchers at the Dana-Farber Cancer Institute, 603 patients with advanced cancer (with about six months to live) were asked whether their doctors had discussed their wishes for end of life care. The majority (69%) said those conversations had not taken place. The data is also clear that conversations about end-of-life care are beneficial. In the last week of life, those patients who had talked with their doctors about end of life care ended up with medical bills on average 36% lower than those patients who did not have end-of-life conversations (source).

By Roz Chast. Read more at http://projects.newyorker.com/story/chast-parents/

As a nursing supervisor in a Level 1 Trauma Center and student of bioethics, rounds through an MICU often made it clear to me that frequently what were considered bioethical issues are more often communication issues: a person on a ventilator can no longer speak for themselves. Young or old, they never appointed someone else to speak for them or never had a serious conversation with anyone about what their values and priorities were for end of life care. These conversations are difficult but essential. Since death is the ultimate subject on which there are no alternative facts, that is, we are all going to die, making one’s values clear on this topic, sick or healthy, young or old, is not about giving up or being morbid. It is facing reality.
Can comics help people make their wishes clear? Could comics help promote conversations about death and dying long before they are needed? Those of us interested in the possibility that comics might help open up conversations about dying and death have tried a few ideas, and have more to pursue. I think the answer to this question is yes – comics have the power to make this difficult reality more manageable. I’m not a fan of forcing people to do things that are difficult. I am a fan of making it as easy as possible be to get the job done. There are actually many great resources out in the world to assist people in having these challenging conversations with their loved ones. Comics can potentially serve as a bridge to these resources, to getting end of life wishes known and documented. Comics can also help clarify statistics, dispel misbeliefs, and affirm values. There is much work to be done in this arena. All ideas are welcome.

The nascent Graphic Medicine Movement has found

Poured my coffee and grabbed The New York Times Weekend Arts section to see what’s happening culturally this weekend to make plans that would provide balm for my soul.

 

I turned to page C3, Arts, briefly and this headline jumped out at me: “Netflix Acquires Series on Nurse Ratched”  a Netflix series from Ryan Murphy, the creator of the horror series “American Horror Story”, Sarah Paulson will be the star of the show. It will focus on the the character Nurse Ratched in Ken Kesey’s 1962 novel “One Flew Over the Cuckoo’s Nest”. It was adapted as a film in 1975.

 

I asked myself, why now?

 

It’s 2017, the President of the United States has been widely called out for his objectification of women – he has a tendency to criticise them for their looks – and he makes sexist remarks. This administration is back peddling on policy issues that directly impact women from access to equal pay, parental leave, and reproductive justice (to name just a few issues on a long list).

 

So Netflix is producing a 2-season 18 part horror series based on the female character, Nurse Ratched. “Ms. Paulson will play the title character, tracing her evolution from low-level nurse to the manipulative tyrant who terrorizes mental institution patients in Ken Kesey’s 1962 novel.” In the film, her nickname was “Big Nurse”.

 

In the film adaptation (and in the book) Ratched is depicted as a powerful and threatening woman who emasculates and belittles men on the unit she commands full control over. Ratched also holds absolute power over the male and female staff. She makes them do what she wants.

 

One message: When this woman is in charge. Fear her to the fullest degree.

 

The book, “One Flew Over the Cuckoo’s Nest” was written in 1962, a period of social turmoil, the Civil Rights movement and Second Wave Feminism.

 

I guess the backlash on women moving forward, nurses working towards full scope of practice is still as threatening now as it was in 1962.

 

We have our work cut out for us. But we already knew that. I’ll be tuning in as a feminist nurse media analyst.

 

I didn’t even touch on the portrayal of people living with mental health issues and how we still can’t talk about it or provide access to care.

 

Poured my coffee and grabbed The New