On Andrew Merton’s Poem “coming out of a depression”

Joy Jacobson is the CHMP’s poet-in-residence.

This week Andrew Merton’s first book of poems, Evidence that We Are Descended from Chairs, is being released from Accents Publishing. Merton may not be typical of a debut poet: he is an accomplished journalist and chairs the Department of English at the University of New Hampshire, where I was his student 30 years ago. I got in touch with him again when the founder of UNH’s journalism department, Don Murray, died in 2006. Murray and Merton had a strong influence on my writing life at that time, and now that I teach writing I’m grateful to recall what they taught me.

With this new book of poems Merton is instructing me in another way. As poet Charles Simic writes in a foreword, Merton’s “chief subject may be described as our human comedy mixed with tragedy.” A good example is this poem (reprinted with the author’s permission):

coming out of a depression

sleet

gravel in a chicken’s gut

flies buzzing feebly against a screen

crows

morels at the foot of a dead apple tree

shadow of a hawk, receding

whisper of snakes on stone

the sun that powers the heart of a flea

a history of oceans
written on the underside of clouds

in a worn wicker basket
abandoned by a stream,
galaxies blooming

We might see this poem as a topographic map, demonstrating in relief the hills and valleys of a particular psychic landscape. Or maybe, more aptly, it’s a travelogue of the byways leading out of Hell. Regardless, we have little choice but to trust our guide.

We start in a season of bad weather. A single word, sleet, acts as both noun and verb of its own endless sentence. This is a place of ineffectual flies and of many birds, caged or scavenging or predatory. One life form here, the morels, are saprotrophic, feeding on dead things, and I imagine the apple tree to be reaching for the memory of the forbidden fruit it once bore. Thou shalt not eat of it, God warned, and I wouldn’t dare. In this place I wouldn’t even gather the morels for consumption. It’s an environment that reduces its raptor to shadow and retreat.

Those first six lines seem to me to be in whispered conversation with some other famous literary depressives: Yahweh, Poe’s raven, Keats’s narrator “half in love with easeful Death” from “Ode to a Nightingale.” But in Merton’s seventh line a movement evidenced only by the swish of snakeskin on stone changes the view. It’s a sound I can see. I’m reminded of a friend’s sumi ink-stick drawings; one in particular depicts a gray road winding through gray-black trees. A simple, colorless elegance.

Now with the eighth line a real and measurable power asserts itself. It may be no more significant than the electroconductivity taking place in the heart of a flea, but a life can revolve around that sun. And it does, here. A couplet emerges, and in it a pairing of water and language—a natural history written in clouds that must fall inevitably down.

A rain of words: a poet’s dream of redemption.

Merton’s final tercet calls forth a basket, left behind and emptied, apparently, of its cargo—the infant Moses, perhaps? And why not? The poem has recovered itself enough to form a stanza, a complex interplay of lines and images. It’s a free-verse universe but it’s ordered. Even during a clinical depression, involuntary body processes like heart rhythm and respiration are kept up. You’ve survived it again, the poem says. You walked through sleet and ate gizzards, and your powers of observation were never lost to you. Take a peek inside the basket, the poem invites. Go on: you’ll be stunned all over again to discover galaxies so numerous they can’t be counted. But they can be contained in the worn wicker of your mind.

You can watch Andrew Merton’s recent poetry reading at UNH, a video in three parts, by clicking here. And you can order the book from Accents Publishing.

Joy Jacobson is the CHMP’s poet-in-residence. This week

CHMP’s Envision Health series presents: THE APPLE PUSHERS

On Tuesday, March 20 CHMP’s Envision Health: Film & New Media Series is honored to co-host a screening of THE APPLE PUSHERS, a film by Mary Mazzio. The event is hosted by Hunter College President Jennifer J. Raab, NYC Councilmember Melissa Mark-Viverito and the Laurie M. Tisch Illumination Fund. Councilmember Mark-Viverito will join a panel discussion after the film. Join us for this exciting event! Please RSVP, details below.

On Tuesday, March 20 CHMP's Envision Health:

The Power of Social Media. Again.

Picture this: a female student at Georgetown Law School, already highly a highly accomplished advocate for women’s rights, speaks out in favor of mandated private insurance coverage for birth control, even by religious institutions. Sandra Fluke was testifying before congressional Democrats – not waving protest signs, not making a spectacle of herself, just speaking her mind, as our First Amendment allows her to do.

Enter one ultra conservative, controversial, and thin-line-walking  radio talk show host. Ignoring the basic facts, Rush Limbaugh proceeds with an angry, highly charged, personal attack on Fluke – calling her “slut” and “prostitute” among other names. All because she spoke out in favor of a particular policy supporting a woman’s reproductive choices.

Within minutes, news of Limbuaugh’s rant was all over Twitter, Facebook, and other social media sites. As they had in the in other recent situations where women’s rights were under attack, feminists, activists, and others of both genders who felt compelled to get involved, blasted Limbaugh for his offensive and highly inappropriate comments. Protesters not only targeted him and urged that his show be shut down , but also targeted the advertisers – big names like AOL, ProFlowers, and Quicken Loans, among others.

It worked. As of Monday, 12 advertisers had pulled their spots and two radio stations had dumped the show.  Several more said they planned to do the same.

This almost instant response via social media to real or perceived threats to women’s rights should not be a surprise – not after the swift action taken against the Susan G. Koman Foundation when they pulled funding from Planned Parenthood  just a couple of months ago. Did Rush or his producers miss this story? Although Limbaugh did eventually apologize for his remarks, the damage has been done.. Maybe this controversial figure will pause before he spouts such distasteful comments and or puts his foot in it again. One can only hope it’s a lesson learned.

Love him or hate him, Rush Limbaugh has the same First Amendment right to speak his mind as Sandra Fluke, or you, or I do. However, there is a very clear line between expressing an opposing point of view, especially as a public figure, and calling a 30 year-old woman vile names for respectfully stating her opinion.

The world now moves in nanoseconds. No sooner had the comment been made then hashtags started appearing on the Twitter timeline, and petitions started making the rounds on Facebook. There are those out there that may still think social media is a passing phase. They underestimate its power at their own risk.

Picture this: a female student at Georgetown