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Sleeping LIke a Baby; Source: Erik Snyder/Getty Images

Sleeping LIke a Baby; Source: Erik Snyder/Getty Images

Today’s New York Times has an article on the sleep problems that lead women to take sleeping pills and attributes the underlying cause to women’s busy lives and childrearing worries. But there was  no evidence that the reporter, Pamela Paul, had talked with peri- and post-menopausal women. Single or married they can tell you about the change in the nature and quality of their sleep. And it’s not just women.

I used to be able to sleep anywhere. Now, as a post-menopausal woman, I have nights where I have difficulty falling and staying asleep. But I use to do research on human rhythms and aging, and I know that sleep architecture changes with aging. For example, as we age, the amount of deep sleep and REM (rapid eye movement, or active dreaming stage) declines and sleep becomes more fragmented.  So as a nurse, I would ask a patient who appeared to be sleeping soundly during the night (snoring and all) how their night had been. The answer often was, “I didn’t sleep at all.” As a young nurse, I would roll my eyes because I didn’t understand how this could be so. I later learned that if we don’t get that deep and REM sleep, we feel as though we were half-conscious while sleeping.

The ads for sleeping pills play into a myth that our sleep patterns should not change. Consider the home page of the official web site for Lunesta:

              “When you want to sleep, do you lie awake? When you get to sleep, do you wake up often during the night? Sleep is here on the wings  of  LUNESTA. Some sleep aids are approved to help you fall asleep and others to help you stay asleep.  Prescription LUNESTA is approved to do both.”

We expect to sleep like a baby when we’re middle and older adults. Maybe we need to reframe how we think about “a good night’s sleep.”

One older woman in a study I conducted 15 years ago told me that when she couldn’t sleep, she just got up and cleaned or read or otherwise occupied her time until she felt sleepy enough to go to bed again. She wasn’t bothered by it. She had reframed what she expected “good sleep” to be. But she didn’t have a job that she had to go to. What makes it most difficult to adapt to changes in our sleep architecture is a sleepless night that’s followed by a full day of work–repeatedly.

I admit to having a supply of sleeping pills that I use mostly for dealing with jet lag from international travel. But I have used them on occasion to ensure I get uninterrupted sleep after nights of sleeplessness and a busy schedule in front of me. How often? Maybe once every three or four months. When I see my nurse practitioner, I ask for only 10 pills, limiting my temptation to think about taking them more often. They are seductive. Those 10 usually last me for a year. I actually look forward to the day when I can get up in the middle of a sleepless night and stay up as long as I want reading a book or writing or cooking.

We’re taking botox in our middle years, Viagra when sexual capacity doesn’t measure up to our teenage years, and sleeping pills to sleep like a baby. Our fear and lack of acceptance of aging is stunning. The media messages–whether from ads for “lifestyle” drugs or suddenly-younger-looking TV personalities who are losing their facial expressions from too much botox–are working.

Diana J. Mason, PhD, RN, FAAN, Rudin Professor of Nursing and Co-Director, CHMP

[caption id="attachment_10295" align="alignright" width="300"] Sleeping LIke a

Joy Jacobson is CHMP’s poet-in-residence. Follow her on Twitter: @joyjaco

 

Hysteria at the Salpêtrière

In the fall issue of Cerise Press, one of the best of the many online literary journals to debut in recent years, I review Asti Hustvedt’s Medical Muses: Hysteria in Nineteenth-Century Paris, the story of three French women—Blanche Wittmann, Augustine Gleizes, and Geneviève Basile Legrand—whom Jean-Martin Charcot treated for hysteria at the Salpêtrière Hospital in the 1870s. A hysteric’s symptoms ran the gamut from hallucinations to stigmata, and treatment often involved hypnosis, a torment that granted only brief reprieves.

What makes Hustvedt’s book so absorbing is not only her in-depth narration but also the relevance these women’s lives and illnesses have to us today. From my review:

Hustvedt writes that our current-day “epidemic” is not hysteria but depression, which Western medicine neither diagnoses nor treats with certainty, as is the case with so many other syndromes: anorexia and bulimia nervosa, autoimmune diseases, chronic fatigue syndrome, fibromyalgia, irritable bowel syndrome. Hustvedt notes that women receive such diagnoses in far greater numbers than men, and despite some advances in diagnosis and treatment, the medical model still regards many of them as mysteries.

Jessa Crispin, who writes the Bookslut column for The Smart Set, also reviews Hustvedt’s book, along with Sybil Exposed: The Extraordinary Story Behind the Famous Multiple Personality Case, by Debbie Nathan. Crispin dissects the 1980s psychiatric culture that produced “hundreds of thousands” of diagnoses of multiple personality disorder and makes explicit parallels between that time and 1870s Paris:

We learn how to be mad, the same way we learn how to be male or female, or how we learn how to participate in society. We look to others we respect and imitate their behaviors. We follow the instructions of teachers and parents, and we are subtly punished or rewarded for various quirks until we learn to mold ourselves in a certain way to avoid responses we don’t like and attain the responses we do.

And in the summer issue of the American Scholar, Laurie Murat writes that in Medical Muses, Hustvedt “deplores our modern tendency to despise diseases rooted in psychic frailty.” It’s that frailty, and the social circumstances that created it, that Hustvedt so brilliantly documents.

Joy Jacobson is CHMP’s poet-in-residence. Follow her

my-sons

Our next film in the HEALTH in FILM & NEW MEDIA series is a truly fascinating look at our country’s health care system. In THE WAITING ROOM director Pete Nicks filmed literally hundreds of stories in one emergency room waiting room in California. This multimedia project includes the voices of patients, families, administrators, janitors, doctors, nurses, etc. Pete is coming from California to show us the film and his audience engagement campaign around our broken health care system. Join us!

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CHMP’s Health in Film & New Media Series presents:

THE WAITING ROOM
one hospital. hundreds of stories.

Thursday, November 17, 2011 – 6pm
CUNY School of Public Health at Hunter College
MAIN AUDITORIUM, 2nd FLOOR
2180 Third Avenue at 119th Street
New York, NY 10035
Directions: 6 train to 116th OR 4/5/6 to 125th

Event is FREE.
Seating is limited and RSVPs are essential. Please respond as soon as possible: chmp@hunter.cuny.edu

Q & A to Follow with Director Pete Nicks
+ panel of experts

MORE INFO:

THE WAITING ROOM: http://www.whatruwaitingfor.com/ (see photos attached)
Everyday in public hospital waiting rooms across the country people sit and wait. Hidden in those long hours of waiting are stories of life, death, courage, gratitude and hope. These are the stories that can spark change. The Waiting Room is a unique blend of traditional documentary film, locative media and social media that reveals a community disconnected from technology, the conversation about health care reform and equal access to care.

The expression and sharing of story by the under-served is vital to our nation’s understanding of the impact of public policy. The project is also driven by the powerfully therapeutic benefits of providing a platform for people stuck in hospital waiting rooms to share their thoughts and feelings about their health and their lives; their hopes and their fears.

CENTER FOR HEALTH, MEDIA & POLICY: http://centerforhealthmediapolicy.com/
The Hunter College Center for Health, Media and Policy is an interdisciplinary initiative for advancing the health of the public and healthy public policies through effective interactions with new and traditional media. The Center is a catalyst for shaping professional and public conversations about health and health care by focusing on the intersection between policy and media. CHMP works with public health advocates and health care professionals to raise their voices to influence policies that will create a more equitable, cost-effective health care system through research and strategic use of media.

THIS EVENT IS CO-SPONSORED WITH:
BRONX HEALTH REACH: http://www.bronxhealthreach.org/
CUNY SCHOOL OF PUBLIC HEALTH: http://www.cuny.edu/site/sph.html
HEALTH PROFESSIONS EDUCATION CENTER: http://www.hunter.cuny.edu/shp/centers/hpec/
HEALTH EQUITY INITIATIVE: http://www.healthequityinitiative.org/

Our next film in the HEALTH in